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Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。契丹是一个曾经驰骋于中国北方草原的游牧民族，唐代末年，建立起了辉煌一时的大辽帝国，元朝之后，这个像猎鹰般的民族逐渐销声匿迹，专家考证，达斡尔民族的祖先就来自契丹。耶律阿保机是一个非凡人物，他的诞生带动了整个民族的崛起，数次激烈的权力之争，耶律阿保机凭借胆略和智慧化险为夷，雄才大略的耶律阿保机书写了人生的传奇。。因为一桩特大钻石走私案，警察局长斯坦命令手下凯西和萨姆到交货地点埋伏，伺机逮捕走私头目。但凯西刚抵达交货地就被罪犯打晕，为此斯坦非常恼火，将搜捕任务交给另一位警察斯基。然而，凯西并未就此罢休，他再次返回交货地寻找线索，终于找到挂在树枝上的钻石袋子。与此同时，一个小怪物出现了，它是地下世界的生物，名叫诺尔，为了寻找“钻石之母”而来到人间，是这起案件的唯一目击者。为了揪出走私头目，凯西带着诺尔一起行动，他们顺藤摸瓜，历尽艰辛，线索逐渐明朗。令人费解的是，局长斯坦竟以谋杀罪为由要处死凯西。在精灵诺尔的帮助下，凯西最终找到了走私头目、钻石和巨款。黎明时分，诺尔为了拯救精灵世界的同胞，带着“钻石之母”离开人间。。