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故事在以千叶爆发的流行病为背景展开。 结束垒球部活动而回家的水上梨梨（樱田日和），虽然和垒球部的成员们一起逃到了避难所里，但新的感染者不断出现，她费尽千辛万苦，才总算逃了出来。 出现在她眼前的是幕张的购物中心，年龄、职业都各不相同的年轻男女们固守在此，过着积极向上的“特别”生活。走出去就是遍地僵尸的地狱，但购物中心里却是物资过剩的安全地带。 在此极限的状况中萌生出“越是如此才越要恋爱！”的想法在彼此间交错混杂的人间百态。 究竟，谁会和谁喜结良缘，共同逃出生天呢？。40年代逃荒到辽西山区的姑娘棉桃，不幸落入土匪刘八爷手中，棉桃逃跑的路上，被追逼无奈跳入河谷，铁匠水印发现后将她救回家中。四方游走的货郎与棉桃相遇，两人一见钟情，但为感谢水印的救命之恩，棉桃嫁给了水印。货郎伤心而去。刘八爷发现了棉桃，将她抓回关人刘府内。棉桃不从，将刘八爷刺伤，紧急时刻货郎救出棉桃，两人逃跑路上货郎被土匪击中，他向棉桃倾诉了心中的爱慕后离开了人世。。One day, thinking that it will make your wife and friends smile, you shave off the moustache that you have had for the last ten years. No one notices or, even worse, everyone pretends not to notice and your smile soon fades. Before being wiped off your face. You insist but people tell you that you've never had a moustache. Are you going mad? Are people trying to make you think you are? Or has something in the world's order gone awry at your expense? Adapting his own 1986 novel, Emmanuel Carrère – whose books Class Trip and The Adversary became Cannes Competition titles by Claude Miller and Nicole Garcia, respectively – provides a feast of sustained tension as the man's wife and his closest friends deny that he ever had a moustache. Viewers who like their conclusions tidy may rebel, but those who relish outstanding performances in the service of an intriguing idea will be entertained. The film won the Label Europa Cinemas Prize at Directors' Fortnight in Cannes. 一天，你滿心以為給妻子和朋友開個玩笑，把蓄了十年的鬍子刮掉。但可惜完全被人忽視了，或更可悲的是每個人都假裝看不到，很快，你得意的笑容不見了，笑臉再也掛不住。你堅持，但所有人都跟你說你從未蓄過鬍子。莫非你神經錯亂？是否所有人都想令你以為自己瘋掉了？又或者，是因為你的緣故而搞亂了世界的某種秩序？ 本片是導演艾曼雷．卡雷爾改編自他自己一九八六年出版的小說。他的另外兩本小說《 Class Trip 》及《 The Adversary 》曾分別被葛羅特．米勒及妮歌．加西亞兩位導演改編成電影並先後成為康城影展的參選影片。在本片中，因為男人的妻子和老友否認他曾經蓄鬍子而令整個故事維持在緊張的氣氛中。 喜歡結局完整的觀眾可能會感到不高興，但欣賞引人入勝的故事和精湛演技的觀眾則會看得津津有味。本片在康城影展的導演雙週中奪得歐洲電影標籤大獎。 Source: The 34th French Cinepanorama, Hong Kong。