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舞台は夏の北海道。札幌の路地裏にひっそりと佇む小さな弁当屋『くま弁』には、いつもと変わらない笑い声が響いていた。料理人のユウ（飯島寛騎）、常連客の黒川（戸次重幸）、店主の熊野（山野久治）、そして、主人公のOL・千春（久保田紗友）。傷心のまま東京から転勤してきて半年あまり。『くま弁』はすっかり千春の居場所になっていた。 そして『くま弁』には「魔法のお弁当」を求めて、また悩める客が訪れる…。東京で成功した若手経営者、家出を繰り返す少女、誰にも言えない秘密をもつ姉弟、離れて暮らす千春の母…。客が抱えた、孤独や葛藤、将来への不安に寄り添う千春とユウ。おせっかいな二人が作るお弁当で、客は生きる力と希望を取り戻していく———。 一方、千春にも自分と向き合うときが来ていた。東京への帰任の打診が来たのだ。自分が本当にやりたいことは何か。千春が最終的に選んだ生き方とは...。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。Nickelodeon正式拿下《海绵宝宝》番外剧集《派大星秀》(The Patrick Star Show，暂译)，比尔·法格巴克将回归为派大星配音！据悉，法格巴克早已开启配音工作，首季预计有13集。该剧风格类似于《拉里·桑德斯秀》与《喜剧大暴走》之间的混搭，派大星将主持自己的深夜脱口秀节目，而内容则围绕着派大星和他的家人展开。《海绵宝宝》的众多角色也将客串登场。。