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这里是和风咖啡厅“鹿枫堂”。 店主、负责茶水的水，负责拿铁的格雷，负责料理的世贵，负责甜点的椿。 各自身怀绝技的4人经营的隐藏人气店。 他们在“款待”客人的同时，偶尔还会解决客人的“烦恼”。 以咖啡厅为舞台，完美的4人编织而成的真诚故事。 好了，今天的客人是……？。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。故事开始于一个北方的小城市，张童是个普通的上班族与妻子安宁过着平凡而安定的生活，一天悲剧突然降临在他身上，打开家门的张童发现妻子死在家中，尽管有许多证据表明有他杀的可能，随后而来的刑警却定性为自杀…… 悲愤的张童决心寻找证据证明是一起谋杀案，他在整理妻子遗物时发现一本日记和记数的账本。 日记里有个叫陶大伟的医生渐渐引起他的怀疑，陶不仅与安宁关系密切而且有经济来往，张童在对陶大伟的调查中发现，他不仅仅是个普通医生而且掌握药品采购的大权，传言与他某市领导私交甚笃，正在此时，陶大伟主动找到张童，给了他公司一大笔采购定单，而且指定张童负责，面对巨额的提成张童心动了，正是这心动让他陷入一个致命的阴谋……。